No... [She voices this slowly, and doesn't particularly like the overall sentiment, but she feels it out all the same.] It was a lie of necessity. That's not...
[She doesn't want to say it again. Love.]
You need a reason why a dead woman wouldn't want hands on her?
[Though, her voice is considerably less defensive and tense than the last time she said that to him.]
[It's a kind of love, Chase thinks. Stockholm syndrome was a kind of love. The bigger lie is that she's not capable.]
The city does death, it doesn't do dead. You're judging the condition here by your own world's standards. Here—different vital signs, still vital. Still you.
[He twists his own hands together without looking down.]
If you need a reason why I'd still want to hold your hand.
[It's not quite a shrug, just some vague motion meant to dismiss that she said it as she pushes to her feet. She thinks she's had enough of this for tonight.]
[It's no effort at all to catch her up, or fall easily in step, matching his pace with hers. If he turns his head he can see the salt drying on her skin. Had he brought one, he'd have offered her his jacket by now.]
or steps leading into the sea
[And it's easier to talk about him than it is to talk about her.]
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As a means of sticking around, what you did could actually gain some perspective.
[Instead of being only mad, mindless, self-destructive. He's a diagnostician, he lives in hope of finding reason.]
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[That's flat, and she's watching the ship bob, mouth thin.]
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[Simply.]
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[She glances at him, looking confused. Gritty?]
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[He looks up, catching the expression.]
My hands. Are they gritty? Scratchy with sand?
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I didn't notice.
Re: or steps leading into the sea
[And he's still following the line of her gaze.]
No? You took yours away like it hurt.
or steps leading into the sea
[She doesn't want to say it again. Love.]
You need a reason why a dead woman wouldn't want hands on her?
[Though, her voice is considerably less defensive and tense than the last time she said that to him.]
or steps leading into the sea
The city does death, it doesn't do dead. You're judging the condition here by your own world's standards. Here—different vital signs, still vital. Still you.
[He twists his own hands together without looking down.]
If you need a reason why I'd still want to hold your hand.
or steps leading into the sea
[It's not quite a shrug, just some vague motion meant to dismiss that she said it as she pushes to her feet. She thinks she's had enough of this for tonight.]
or steps leading into the sea
I miss you.
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[A different commandment from 'don't care.']
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[He stands up, slowly, after her.]
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[It's not quite fond.]
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[A nod indicates the apartments further back from the shore.]
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[That had been her intention, to swim until her head was calm and then try to rest.]
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You were worried about tracking sand onto a boat?
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[She was avoiding him. Now she's warily approaching her gangplank with him in tow.]
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Good. Because I might be gritty.
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